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Lomography - Lomochrome Metropolis 110 Film

Lomography - Lomochrome Metropolis 110 Film

Regular price $28.00 NZD
Regular price Sale price $28.00 NZD
Sale Sold out

Unique desaturated color film for pocket cameras Lomochrome Metropolis delivers a distinctive urban aesthetic with muted colors, enhanced contrast, and a cool color palette. This experimental film creates moody, cinematic images with reduced saturation and increased grain.

Perfect for creative shooting with 110 pocket cameras. The desaturated look gives a gritty, metropolitan vibe straight from the camera.

Format: 110

A tiny cartridge-based film made for compact “pocket cameras” from the 70s–90s. Extremely small frame size. Not compatible with 35mm or 120 cameras.

Exposures: 24exp

24exp gives you up to 24 photos on a normal 35mm camera. An exposure is simply one photo — every time you press the shutter, you use one. Keep in mind: cameras like half-frame take half-size photos, so you’ll get double the number, while panoramic cameras use more film per shot, giving you fewer than 24.

Film Speed: 200iso

200 ISO sits right in the sweet spot—fine grain, rich detail, and best results in daylight or well-lit scenes. It’s great for portraits, landscapes, and anyone who loves that clean, classic film look without sacrificing depth or character.

Color Balance: Daylight

Made for shooting in natural sunlight. Colours look correct outdoors or under bright window light.

Grain: High and Coarse

Bold texture. Adds grit, mood, and vintage character, especially in low light.

Colour: Low

Contrast / latitude: High

Processing: C-41 (Colour Negative)

The standard colour process for most colour films. Widely available and used in everyday colour photography.

Quantity

🚚 Shipped via CourierPost 1-2 working days shipping*

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Load in Subdued Light
Always load and unload film in shade or indoors - never in direct sunlight. Even a few seconds of bright light can fog the edges of your film. If outdoors, use your body to create shade over the camera while loading.

Avoid Temperature Extremes
Don't shoot film immediately after it's been very cold or very hot. Let it stabilize to ambient temperature first, or you may experience:

  • Brittle film that tears or jams
  • Inconsistent development
  • Base fog or colour shifts

Never Leave Film in Hot Cars
Heat is film's worst enemy. A car interior can reach 50-70°C in summer, which:

  • Accelerates aging dramatically
  • Causes colour shifts and fogging
  • Can make film unusable in just a few hours
  • Effects worsen with each exposure to heat

Even "fresh" film left in a hot car for an afternoon can look expired.

Cool & Dry is Key
Store your film in a cool, dry place away from direct sunlight. A cupboard or drawer works fine for film you'll use within 6 months. Ideal storage temperature is below 21°C with low humidity.

Long-Term Cold Storage
For extended storage (6+ months), keep film in your fridge (4-7°C) or freezer (-18°C). Store film in sealed plastic bags or containers to prevent moisture damage. Film can last years beyond its expiry date when frozen properly.

Defrosting is Essential
Before use, film MUST be brought to room temperature while still sealed. This prevents condensation forming on the film emulsion. Allow:

  • Fridge-stored film: 1-2 hours to warm up
  • Frozen film: 3-4 hours minimum (overnight is safest)

Hand Inspection is Best
X-ray scanners can fog film, especially:

  • ISO 800 and above (most vulnerable)
  • Film that passes through multiple scanners
  • CT scanners (now common at many airports) - these are particularly damaging

What to Do:

  • Request hand inspection at security (arrive early)
  • Keep film in clear bags for easy inspection
  • Remove film from boxes/canisters if requested
  • Never pack film in checked luggage (those scanners are much stronger)

ISO 400 and below can usually handle 1-2 scans from older X-ray machines, but CT scanners can damage any film speed. Kodak and other manufacturers recommend hand checks for all film through CT scanners.

Already Exposed Film
Exposed film is even more vulnerable - get it processed ASAP and avoid additional scanner passes if possible.

No Returns on Film
Due to the nature of film as a consumable product, we cannot accept returns or exchanges on 35mm, 110, 120, or any other film formats once sold.

Why?
We can't verify how film has been stored or handled after it leaves our shop. Film is sensitive to heat, humidity, light, and X-rays - factors outside our control once you've purchased it. Even brief exposure to a hot car or improper storage can affect results, and we have no way to determine whether issues are due to the film itself or post-purchase conditions.

Defective or Damaged Product
If your film arrives damaged (crushed canister, torn packaging, etc.) or is clearly defective straight out of the box, let us know immediately. We'll work with you to sort it out - but we'll need to assess it before it's been loaded or exposed.